Charlene is the Immediate Past President of the Margaret Fuller Society. As part of a new blog post series, we are taking a moment to get to know our society’s leaders and members. We thank Charlene for all her hard work on behalf of the Margaret Fuller Society and for taking a moment to answer some questions for us.
Coming from a rural working-class background in Upstate New York, Charlene earned degrees “long ago,” as she puts it, at the College of Saint Rose (BA) and SUNY Binghamton (MA, PhD, dissertation on Melville). After serving on the faculties of the universities of Hawai’i and Notre Dame, she now works as an independent scholar, alternating between Kailua, Hawai’i, where she serves as an “in-house” editor for Chip Hughes’s Surfing Detective mystery series, and Upstate, “where my heart dwells.”
If you have receives an email from Charlene, you might have noticed she signs her emails with a proper “aloha.” If you see her at a conference, you might ask her about Hawai’i. “What members of other academic societies to which I belong ask me about most is Hawai’i,” Charlene says, “which opens up a conversation on the over-developed tourist economy, militarization of the Islands, racial dynamics, and the Hawaiian sovereignty movement.”
In the next 5 years, Charlene would like to see the Margaret Fuller Society continue to grow “in its membership, its outreach, and its embrace of critical approaches.”
What is one thing about Fuller that you most admire? “I find Fuller’s writings important because they have allowed me to address multiple vital issues in my teaching and researching of U.S. literatures and of gender studies: issues ongoing since her time of gender, race/ethnicity, class, religion, and ecology, as well as the history and methods of close reading and interpretation necessary to consideration of these complex issues.”
Share one thing you learned during the pandemic. “Pandemic restrictions allowed me to (re)learn how much joy is to be had in slowing down to appreciate diurnal routines. (Spending mornings with a two-year-old helps.)”
A Bibliography of Charlene’s Publications on Fuller:
“Woman in the Nineteenth Century: Romanticism and (Proto)feminism.” Invited essay. Handbook of American Romanticism. Eds. Philipp Löffler, Clemens Spahr, and Jan Stievermann. De Gruyter, forthcoming 2021.
“Margaret Fuller and ‘the best living prose writer,’ George Sand: A Revisionist Account.” Invited essay. Nineteenth-Century Prose. Special Issue on Margaret Fuller. Guest Editor: Brigitte Bailey. 42, 2 (Fall 2015). 93-124.
“Circles around George Sand: Margaret Fuller and The Dynamics of Transnational Reception.” Margaret Fuller and Her Circles, Ed. Brigitte Bailey, Kate Viens, and Conrad E. Wright. University Press of New England. 2012. 206-229.
“What American Renaissance? The Gendered Genealogy of a Critical Discourse.” PMLA 112, 5 (1997): 1102-1120. Reprinted in American Literature: A Sourcebook for Teachers. New York: Bedford/St. Martin’s, 2006.
“The ‘Red Roots’ of White Feminism in Margaret Fuller’s Writings.” Doing Feminism: Teaching and Research in the Academy. Ed. Mary Anderson, Lisa Fine, Kathleen Geissler, and Joyce R. Ladenson. East Lansing: Michigan State UP, 1997.