The Executive Council of the Margaret Fuller Society, as an affiliated society of the Modern Language Association (MLA), endorses the Association’s Statement Deploring Racism.
On Saturday, January 11, 2020, we gathered at the MLA Convention in Seattle, WA, for a panel on “Margaret Fuller’s Ecologies,” presided by Margaret Fuller Society Vice President, Jana L. Argersinger. Below is the list of presenters and their paper titles.
“The Ecological Spirituality of Margaret Fuller’s Summer on the Lakes”
Lucas Nossaman, U of Tennessee, Knoxville
“Traveling West through Womanhood: Indigenous Women and the Landscape of Developmental Time in Fuller’s Summer on the Lakes”
E S Dean, Rutgers U, New Brunswick
“From Genial to Daemonic: Margaret Fuller’s Early Theories of Relationality”
William Bond, Northeastern U
Abstracts are available here.
This post was authored by Guest Contributor and Margaret Fuller Society Member Nanette Hilton.
The 2019 Association for the Study of Literature and the Environment (ASLE) Conference uncannily presaged the November 2018 Camp Fire which destroyed the town of Paradise, California. The unsettling “resonance” between the conference theme, “Paradise On Fire,” and the affected California host communities prompted planners to issue an October 31, 2018 explanation that “the title was intended to be metaphorical” and drew “from the long literary imagining of California as another world” (ASLE).
June 26th through 30th, 2019 conference attendees came together to mourn “the loss of life, home and habitat in that fire” as a group “dedicated to grappling with difficult, long-term and often irresolvable issues,” not just in present-day California but since the Anthropocene’s impact on the global environment. Such exigencies were familiar to Margaret Fuller who likewise struggled to make sense of challenging concerns.
For this reason, Nanette Hilton organized an ASLE panel entitled “Margaret Fuller: Preserving Paradise in the 19th Century” in which she asked how Fuller champions, appropriates, and interacts with ecology in her texts? To what end, then and now? In what ways might Fuller’s personal struggles, or the struggles of those she represents in her texts, mirror socio-ecological struggles, past and present? Is Fuller’s a universal or microcosmic ecological awareness? How does Fuller resist or cross metaphorical or literal boundaries and in what ways might this impact Earth’s environment? The panel explored how Fuller was on the vanguard of form and genre hybridization and how she championed inclusivity long before it was politically correct. The panel hoped to mine the ecocriticism of Fuller’s heterogeneous works for models of rhetorical strategy as patterns for us, nearly two centuries later, in our efforts to preserve Paradise.
The response to this call for papers gave heartening evidence that Margaret Fuller is taking a front seat in literary studies, even in environmental humanities. Ultimately, four papers were chosen to be presented, including:
- “The Book to the Reader”: Affect and Bioregion in Summer on the Lakes, by Jake McGinnis of University of Notre Dame;
- Amalgamation of Sensibilities: Margaret Fuller Prophesying Paradise, by Nanette Hilton of University of Nevada, Las Vegas;
- Ecology, Difference, and Boundary-Crossing, by Emily York of James Madison University; and
- Troubling Paradise: Racialized Violence in Margaret Fuller’s Summer on the Lakes, by Katie Simon of Georgia College.
By coincidence, all four panelists centered their papers on Fuller’s Summer on the Lakes (Summer) to create a serendipitously cohesive analysis of her text.
Jake McGinnis observed how Fuller’s personal anxieties were juxtaposed with “the environmental, social, and gender crises that shaped the frontier of 1843” and provide a “crucially important model for our own processes of working through the growing problems of American regionality—from the urban/rural political divide to brain drain and pervasive gender inequality.”
Nanette Hilton focused on Fuller’s rhetorical choices in creating a mash-up of genres thereby foregrounding what feminist theorists today term Invitational Rhetoric which advances “equality, immanent value, and self-determination” amongst actors, human and nonhuman. Hilton explicated the first two poems in Summer, providing proof that Fuller invites her readers to participate in preserving Paradise.
Emily York provided an auto-ethnographic account of her re-engagement with Fuller’s work nearly twenty years after writing her BA thesis on Fuller. She explained her “current efforts to reflexively reconsider Science and Technology Studies” with the aim to cross “boundaries of discipline and genre” to “build solidarity toward a socially and ecologically inclusive future.”
Katie Simon discussed how Fuller “encounters a landscape haunted with racialized violence” and through her “hybrid forms and textual assemblages” created a model for us to “engage with both nonhuman nature, and humans who have been ghosted from the category of the human” to “appreciate its sublime effects.”
The session enjoyed an audience of about twenty people. After the session, the panelists and their guests got better acquainted and continued their conversation over a marvelous dinner at Seasons restaurant.
In keeping with the prescient nature of ASLE’s conference theme, it was unanimously agreed that Fuller foreshadowed in Summer rhetorical strategies for confronting the ecojustice challenges we face today and prophesied a future wherein all actors have a voice in preserving Paradise.
This post was co-authored by Charlene Avallone, Elizabeth Dean, and Christina Katopodis. Photos courtesy of Noelle Baker, and paper abstracts provided by Sonia Di Loreto.
On Thursday, May 23rd, Margaret Fuller Society (MFS) members gathered at the American Literature Association conference in Boston. MFS President Charlene Avallone and MFS Treasurer Noelle Baker delivered papers on the “Recovering the 19th-Century Women’s Rights Movement” panel moderated by Jen McDaneld. Avallone discussed “Laura C. Bullard, Harriet Beecher Stowe, and George Sand in the Nineteenth-Century American Woman’s Movement,” and Baker presented “Elizabeth Cady Stanton and Women’s Reproductive Rights.” A vibrant discussion followed focusing especially on women’s reproductive rights then and now. MFS Website Editor Christina Katopodis presented her fold/unfold pedagogical exercise in “Unfolding Fanny Fern’s Ruth Hall and Nathaniel Hawthorne’s ‘The Birthmark’” on the Hawthorne Society panel. Following the day’s panels, there was a welcome reception in Essex South and a roundtable on “The Old Corner Bookstore; or Why is the Most Important Literary Site in Boston a Fast-Food Court?”
For a more comprehensive list of MFS members who presented on panels and roundtables at ALA, see the list at the end of this post.
On Friday, Mollie Barnes of University of South Carolina Beaufort gave an engaging paper on the panel “Anonymity, Access, Absence: Challenges of Recovering Nineteenth-Century Literature,” titled “Transatlantic Recovery: How Margaret Fuller’s Lost History Teaches Us to Read,” which moved away from Fuller’s own texts to examine the development of Fuller’s mythos and legacy through periodical reports of her death.
The Saturday, May 25th session of the ALA conference featured well-attended back-to-back panels sponsored by the MFS. First Vice President Sonia Di Loreto chaired the first panel sponsored by the MFS, “Margaret Fuller’s Languages.” The papers focused primarily on Fuller’s prolific translation work and the ways these translations fit into her overarching intellectual projects. Board Member Fritz Fleishman presented on “Translating Fuller: The Play of Interpretation.” Brigitte Bailey of University of New Hampshire gave her paper, “Translating Urban Radicalism for the New-York Tribune: Fuller’s Readings of the Deutsche Schnell post,” which connected directly with the attention to Fuller’s interest in German language and philosophy as covered in the paper given by Christina Zwarg (Haverford College), “Glimpsing Goethe’s Corpse: Translating the Now in Fuller’s Eckermann. Chaired by Katie Kornacki, editor of “Conversations,” the panel he second panel also approached Fuller from a formal/generic angle, focusing particularly on her poetry, and was titled “Winged Sphinxes: Margaret Fuller’s Poetry and Poetics.” The papers were “Fuller and the Flowering a Female God: Male Sacrifice and Female Transfiguration in ‘Raphael’s Deposition from the Cross’’” from Ariel Silver of Claremont Graduate University, “Portals of Transformation: Object Studies in Fuller’s 1844 Poems” by Joan Wry of Saint Michael’s College, “The Vanishing Indian in Margaret Fuller’s ‘Governor Everett Receiving the Indian Chiefs, 1837’” by Thomas Sorensen of University of Western Ontario, and “Fuller’s Hauntological Poetics” by Katie Simon of Georgia College. This panel was followed by a particularly lively conversation regarding the potential intersections of thing theory and Margaret Fuller’s poetry, particularly growing out of Silver’s and Wry’s papers. Read the full abstracts and panel CFPs here.
These two excellent panels were followed by the Margaret Fuller Society’s businesses meeting, for which full notes are available here.
On Sunday morning a dozen Fullerites–Society members and guests–ended the conference by sharing brunch at Brownstone’s, billed as “a star on Boston’s vibrant culinary scene.” Thanks to the planning of VP1 Jana Argersinger, we enjoyed good conversation over eggs Benedict and granola. Talk of Fuller ranged over the past and future, as guests included Peter Wiley, whose ancestor John Wiley published (and censored) the author, and members discussed plans and dreams for the next international conference the Society will sponsor, to be co-ordinated by Mollie Barnes.
Many society members participated in panels and roundtables at the conference, including:
This post was written by Website Manager and contributing author, Christina Katopodis.
On February 28, 2019, Wikipedians new and old, expert and novice, met at The Graduate Center, CUNY, for “Revolutionizing Wikipedia: A Queer and Feminist Edit-a-Thon,” organized by Christina Katopodis. The event was sponsored by the Futures Initiative, GC Digital Initiatives, Teaching and Learning Center, and HASTAC at The Graduate Center, CUNY, as well as Wikimedia NYC.
The idea behind the event was to support greater inclusion in Wikipedia editing both in terms of who contributes, and in terms of what topics are covered. Currently, Wikipedia contributors are overwhelmingly male—about 90 percent. Only nine percent of Wikipedia editors surveyed in 2018 by the Wikimedia Foundation identified as “female,” and only one percent identified as “other.” Who contributes has a major impact on the topics and people considered noteworthy—so join us as we expand the range of both voices and subject matter.
In the first hour of the event, Megan Wacha from Wikimedia NYC led a workshop on Wikipedia, how to edit articles, and best practices for contributing to the Wikipedia community. In case you missed it, I made a slide deck that goes over the basics to help you get started.
After the workshop, we drank coffee, ate lunch and snacks, and worked on Wikipedia articles. Katie Kornacki, who edits the Conversations newsletter with Mollie Barnes, and I realized that Caroline Sturgis, Fuller’s friend and fellow Transcendentalist, didn’t have a Wikipedia article in English so I created my first new Wikipedia article from scratch. If you have updates or additions you would like to make, please contact me directly at ckatopodis [at] gradcenter [dot] cuny [dot] edu.
More than 20 editors participated in our edit-a-thon, editing 18 articles and creating two new ones in the last 24 hours, and adding 1.76K words to Wikipedia. A total of 116 edits have been made thus far, and we look forward to seeing the impact these editors make in Wikipedia over time. Yes, we are still editing! Even if you couldn’t make it, take a look at our slide decks, set yourself up on Wikipedia, pick a stub article, and start editing!
Using what we learned from Megan Wacha and this edit-a-thon, we continue to edit and update Margaret Fuller’s Wikipedia article. Since Wikipedia is open to public editing, crowd-sourcing information about authors like Fuller, it’s important that we continue this work. While the article was already in good shape when we started, there were some parts of it that needed updating to really reflect Margaret Fuller’s intellectual contributions (e.g., her translations of Goethe, her Conversations with a capital “C”). Take a look at the article and contribute! Or, drop me a line at the email address above for help editing Wikipedia articles.
American Literature Association
May 23-26, 2019
Margaret Fuller’s Languages
In the “Preface by the Translator” that Margaret Fuller penned for her translation of Goethe’s Tasso, she states: “There are difficulties attending the translation of German works into English which might baffle one much more skillful in the use of the latter than myself. A great variety of compound words enable the German writer to give a degree of precision and delicacy of shading to his expressions nearly impracticable with the terse, the dignified, but by no means flexible English idiom” (Art, Literature and the Drama, p. 355). In her work as critic and translator, Fuller has always been attuned to style, register, nuances, wording, irony and all the richness and complexity of language, and to the particularities of different languages. As a result, readers have often been “baffled” by her complexity.
For this panel, we seek presentations on all matters that have to do with Margaret Fuller’s languages, both in terms of her translation work, but also regarding her code-switching, generic mixes, neologisms, rhetorical force, word-play. How do Fuller’s theories about translation and her ideas about language/languages inform her writing? How have recent transnational perspectives on American Literature shed new light on Fuller’s rhetoric and language?
Winged Sphinxes: Margaret Fuller’s Poetry and Poetics
In his “Introduction” to a special forum on poetry in J19: The Journal of Nineteenth-Century Americanists (Spring 2013), Max Cavitch states “The study of nineteenth-century American poetry and poetics has been enjoying an efflorescence that shows no signs of contracting”, adding also that “among the most consequential developments has been the belated recognition of not simply the existence but also the centrality to North American literary and cultural history of poetry by women”. In keeping with this appraisal, the present panel invites examinations of Margaret Fuller’s poetry and poetics from a wide array of critical approaches, including, but not limited to, historical poetics, ecocriticism, new materialisms, as well as linguistic, historical, ethical, feminist, transatlantic, transnational perspectives. We invite contributions that will consider Fuller’s poetry and poetics in their various forms and instantiations (original compositions, translations, embedded poems, etc.), and we welcome proposals that approach Fuller along with other writers and poets.
Please send a 250 word abstract and a brief bio to Sonia Di Loreto (sonia.diloreto [at] unito [dot] it) by January 19, 2019.
Women at Work: Margaret Fuller and Nineteenth-Century Women Writers on Work
Saturday, Jan 5, 2019
This session, organized by Sonia Di Loreto and presided by Jana L. Argersinger, explored Margaret Fuller’s relation to and representations of labor from multiple perspectives, including the ways in which Margaret Fuller and other 19th c. women writers considered, debated, practiced, and critiqued labor.
Aimee Allard presented a paper focused on the labor of sewing, specifically the role of sewing within the asylum. Sewing was a tedious task designed to keep women busy, a punishment for women patients “who dared to read or write, and a system of unpaid labor from which unscrupulous asylum superintendents profited.” Allard writes, “For Fuller, sewing was a form of cloth confinement, so it seems only fitting that [Elizabeth] Packard and her contemporaries aligned needlework with straitjackets and fabric restraints.”
Hediye Özkan discussed how Lillie Devereux Blake approached issues faced by women in the nineteenth century in Fettered for Life or Master and Lord
(1874), “by using woman-slave analogy not only in a capitalist but also patriarchal society to reconstruct work, womanhood, and marriage.”
Jessica Horvath Williams approached nineteenth-century women’s labor through disability studies, examining journal entries related to the strenuous labor of nineteenth-century housework. In her paper she interrogated the impossible standard of the Colonial Good Wife, and asked what we mean when we apply the words “disabled” and “frail” to women in the nineteenth century.
Click here to read the full abstracts.
Jana L. Argersinger, Washington State U, Pullman
‘Sent to the Sewing Room, and Compelled to Work’: Institutionalized Women’s Labor in Nineteenth-Century American Hospitals for the Insane
Aimee Allard, U of Nebraska, Lincoln
Solidarity across Classes and Women’s Labor
Hediye Özkan, Indiana U of Pennsylvania
The Disabled Superwoman: Disabling Domestic Labor in Mary Wilkins Freeman’s ‘Luella Miller’ and Elizabeth Stuart Phelps’s ‘No News’
Jessica Horvath Williams, U of California, Los Angeles
On the eve of the Margaret Fuller Society panel, Fullerites gathered in Chicago to have dinner together and discuss their research and their presentations at MLA.
This post was written by Margaret Fuller Society President Charlene Avallone, who also provided the photos from the event.
Margaret Fuller was very much in evidence at the 2018 Triennial Conference of the Society for the Study of American Women Writers in Denver (November 7-11), and the participation of Society members there was gratifying. The richly rewarding gathering around the conference’s timely thematics of “Resistance and Recovery across the Americas,” afforded many highlights.
The stimulating session on Thursday spoke to the conferences themes, while it both answered to the Society’s initiative of promoting attention to Fuller in the company of other women writers and extended genealogical excavation to include a male (proto)feminist and nineteenth-century women artists. Moderator and Past-President Phyllis Cole’s introduction linked the panel to the varied and complex models of relation alternative to lineal genealogy that are discussed in the essay collection that she edited with Second Vice President Jana Argersinger: Toward a Female Genealogy of Transcendentalism (University of Georgia Press, 2014). Fritz Fleischmann, speaking on “Margaret Fuller and John Neal,” expanded recovery of the nineteenth-century dialogue between women and men as they attempted to work their way out of patriarchal structures of thought toward expanded ideas of “woman” and women’s rights. Etta Madden, in “Genealogies of Translation: Fuller, de Staël and Caroline Crane Marsh, “explored direct influences among these three women as they found travel and translation means of crossing boundaries of nation, language, and culture to arrive at new knowledge and self-transformation. Yoshiko Ito’s paper, “Looking for Transpacific Genealogy in Early Feminism: A Study on the Analogy between Margaret Fuller and Ume Tsuda,” reflected on a serendipitous newspaper juxtaposition to present a critical model of how inspiration can travel across cultures even without direct influence. Janessa Kenway opened a largely uncharted topic in Fuller Studies with “The Visual Genealogy of Margaret Fuller” as she began to map Fuller’s Transcendentalist aesthetic beyond her own appreciation of contemporary artists to recover nineteenth-century female painters and sculptors of the ideal. Read the paper abstracts here.
Fuller received attention at other panels, too. In the session “Resisting The Canonical Syllabus,” Lesli Vollrath’s talk, “Voices of Resistance Unfolding: Teaching Margaret Fuller as a Nasty Woman in Woman in the Nineteenth Century,” advanced the Society’s other current initiative, to promote the teaching of Fuller. And Sarah Salter presented “Margaret Fuller’s Italian Regionalism” at the session “Regionalism Beyond Fiction: Women’s Resistance Across Periodical Forms.”
Additionally, the conference brought together Society members who spoke on a variety of other writers at other sessions: Treasurer Noelle Baker (Elizabeth Cady Stanton), Mollie Barnes (Charlotte Forten), Kate Culkin (Harriet Hosmer), Advisory Board Member Lucinda Damon-Bach (Anna Jameson and Catharine Sedgwick), Elizabeth Dean (Nella Larson), Mark Gallagher (Louisa May Alcott), Denise Kohn (Laura C. Bullard), Ariel Silver (Alcott), Lisa West (Sedgwick), and President Charlene Avallone (Bullard, Harriet Beecher Stowe, and George Sand). More details on the presentations can be found in the draft program of the conference. Mollie also volunteered her services at the (very early morning) CV Workshop to help graduate students and others polish their credentials for the job market.
The Society hosted two well-attended social events on Friday. The afternoon tea, a collaborative event with the Sedgwick and Stowe societies, was organized by Jana Argersinger, Noelle Baker, Cindy Damon-Bach, and Beth Lueck (Past President, Harriet Beecher Stowe Society), with the adept direction of Jordan Von Cannon (VP of Publications for SSAWW). In addition to tasty pastries, the tea provided an occasion for new MFS members to introduce themselves and their work in a conversational setting and for all members to engage with scholars studying other American women writers. A hearty welcome to new members who joined the Society around the Conference: Kate Culkin, Elizabeth Dean, Jenessa Kenway, Etta Madden, and Lisa West. Noelle also arranged the dinner that spirited Society members away from the tourist district to experience something of a Denver neighborhood, as well as a delectable meal, at the Mexican restaurant El Jefe. Dinner offered further opportunity for that favorite discourse of Fullerites–conversation.
The following day, a standing ovation from a packed ballroom at the conference Awards Luncheon welcomed Phyllis Cole to the podium to accept the Karen Dandurand Lifetime Achievement Award. The award, given every three years, recognizes committed and extended work that has furthered the goals of SSAWW “to support and broaden knowledge among academics as well as the general public about American women writers.” The award speech, delivered by Jana Argersinger, acknowledged the many dimensions of Phyllis’s outstanding career: her extraordinary teaching, public speaking, publishing, groundbreaking research on women writers, service, mentoring, and community-building. (Read the nomination letter here.) No applause was more heartfelt than as Phyllis was honored for “her passion for shaping, encouraging, and inspiring the next generation of readers, thinkers, and scholars that makes Dr. Cole such as strong role model for us all.”
In her acceptance speech, Phyllis invoked Fuller, too, as a model, a “model of resistance” for today in calling the women of her country to bring their “moral power” to protest the martial nationalism that was transpiring at the Mexican border in 1844. One conference participant, following up on the conversation at a panel sponsored by the Lydia Maria Child Society, shared a practical model of such protest for teachers to post on a syllabus: “As an educator, I fully support the rights of undocumented students to an education and to live free from the fear of deportation. I pledge confidentiality to any student who wishes to disclose their immigration status, and I will work with students who require immigration-related accommodations.” The syllabus also included a web address for contacting the state’s New Mexico Dream Team.
Many left Denver remarking on the inspiration, energy, and inclusion that characterize the SSAWW Triennial and already looking forward to the next conference in Philadelphia in 2021.
In a collaborative call from the Henry David Thoreau, Margaret Fuller, Ralph Waldo Emerson, and Louisa May Alcott Societies, we invite proposals for papers to be presented at the next Thoreau Gathering in Concord, MA (July 11-14, 2019) on dialogues between men and women of the Transcendentalist movement. When Emerson looked back at Transcendentalism, in “Historic Notes of Life and Letters in New England,” he recalled men and women who read adventurously, became friends, formed a club for conversation, and launched a magazine. They were talkers as well as solitaries. Across the apparent divide of gender, what did they have to talk about?
Papers might closely study an individual dialogue or consider the broader dynamics of two or more writers within or alongside the movement. All conversation was not face-to-face; instead, in keeping with the Gathering’s 2019 theme, “Nature, Technology, and the Connected Life,” it was also made possible by the post office that delivered letters, the railroad that enabled travel, and the print industry that opened authorship in books and periodicals.
The following list suggests only some areas of possibility:
- Mary Moody Emerson’s exchange of letters with Ralph Waldo Emerson
- Mary Moody Emerson’s conversation with Henry David Thoreau, as reported by Thoreau
- Ralph Waldo Emerson’s exchanges of letters and opinion with Margaret Fuller
- Fuller editing Thoreau as editor of the Dial
- Much more on the Dial: perhaps Caroline or Ellen Sturgis’ poems and their reception, or any dialogues within or between issues
- Fuller’s social vision in re Orestes Brownson’s or Theodore Parker’s or W.H. Channing’s
- Fuller’s Conversations, with vs. without male participation
- Elizabeth Palmer Peabody and Bronson Alcott as educators at the Masonic Temple school
- Peabody publishing Thoreau’s “Civil Disobedience” in Aesthetic Papers
- Thoreau and the women of his family as antislavery activists
- Interactions across gender at Brook Farm or Fruitlands
- Louisa May Alcott and her father
- Louisa May Alcott’s fictional or poetic representations of Emerson and/or Thoreau
- Lydia Maria Child on the movement from New York: definitions and satires; her own practical Transcendentalism (urban reform, antislavery , Croton water) vs. Emerson’s or Thoreau’s or ?
- Fictional refractions of Emersonian thought by Elizabeth Oakes Smith, Mary Gove Nichols, Margaret Sweat, or ?
- Caroline Dall as sponsor of Ralph Waldo Emerson’s “Woman” at the 1855 Boston women’s rights convention
- Acknowledgement of or resistance to Emerson or Thoreau or another male transcendentalist by your choice of feminist author or activist
- Dall’s history of the movement in “Transcendentalism in New England” (1895)
- The gender divide and its overcoming in history or criticism of the Transcendentalist movement
This will be a peer-reviewed panel. Please send one-page proposals and short c.v.’s to Phyllis Cole (pbc2 [at] psu [dot] edu) or David Greenham (David [dot] Greenham [at] uwe [dot] ac [dot] uk) by Nov. 26. Decisions will be made by Dec. 15. Inquiries are welcome at any point.
This post was written by Margaret Fuller Society member, Website Editor, and contributing author, Christina Katopodis.
Fullerites gathered with Emersonians and Thoreauvians in Heidelberg, Germany on July 26-29, 2018 for the “Transcendentalist Intersections: Literature, Philosophy, Religion” Conference hosted by the University of Heidelberg and sponsored by the Ralph Waldo Emerson Society, the Margaret Fuller Society, and the Anglistisches Seminar and Center for American Studies at the University of Heidelberg.
Dan Malachuk, President of the Emerson Society, writes: “In late July, more than seventy scholars from around the world gathered at the University of Heidelberg for four balmy days of intense cross-disciplinary dialogue about some of the most pressing issues in Transcendentalist studies. Perhaps the largest conference ever held on this subject, “Transcendentalist Intersections: Literature, Philosophy, Religion” was the vibrant conclusion to a four-year collaboration of the University’s Anglistisches Seminar and Center for American Studies, the Margaret Fuller Society, and the Emerson Society. Reflecting at a closing session, participants recalled especially fruitful conversations about the continued indispensability of archival research, recovering “minor” figures, assessing intra-movement conflicts as well as confluences, whether to de- or re-transcendentalize the movement, interrogating as always its nationalist character, and remembering the periodicals, including the Dial, whose subtitle was also the conference’s and—let us hope—a continuing prompt for more such intersections.”
Laura Dassow Walls, in her keynote address, called to mind Fuller telling Thoreau that nature is no more his until he is more hers. This sentiment of embrace, exchange, and openness characterized many of the papers, dialogues, and exchanges throughout the conference. Walls crafted a beautiful and inspiring argument for what she calls the “parahuman” (as opposed to “nonhuman” or “posthuman”), reminding us that there really is no “not-me,” that we are all connected, and that we are the very criminals we are searching for in our present climate crisis. Responding to a question about how to reconcile ourselves with Emerson’s use of the word “Nature” given recent ecocritical scholarship that has problematized that term (I am thinking of Timothy Morton especially), Walls pointed to the specificity of each instance, moment, and context of Emerson’s use of the word “nature” and called for us all to remember to be very specific when we use it ourselves.
On the next day, Fullerites and Emersonians gathered for panels on Alcott, Fuller, Emerson, and Thoreau. Russell Sbriglia’s paper on Fuller, Hegel, and concrete universality discussed Fuller’s work to harmonize the particular with the universal. Sbriglia used the “+” in LGBTQ+ to demonstrate the relevancy of Fuller’s argument that there is no humanity unless we are all a part of it; we are not free until all of us are free. Sbriglia suggested that Fuller’s assertion that Man cannot be realized without Woman is not an addition but a transformative process that affects the whole. You can read a full abstract of Sbriglia’s talk here.
There were so many beautiful papers to feed the mind at the conference. To touch on some of those about Margaret Fuller, I will do my best to quickly introduce them. For more details, you can read the full abstracts in the embedded links below.
There was a diverse range of subjects covered. One vibrant thread of discussion could be traced between Phyllis Cole‘s paper on Fuller and Socialism in Paris and David Robinson‘s paper on Fuller, Channing, and Fourierism. Mollie Barnes called our attention to the importance of sculpture as it captures historical movement and inspiration into action. Leslie Eckel presented her work on utopias focusing on failure. Christina Katopodis presented her sound studies work on “Pulse and Polarity” in Fuller and Emerson. Marina P. Kizima focused on the religious aspects of Fuller’s work and Denise Kohn focused on Fuller and women’s suffrage. In addition to covering Fuller’s Woman in the Nineteenth Century, there were papers on Summer on the Lakes such as Monika Elbert‘s and on Fuller’s letters such as Mario Bannoni‘s presentation on three letters of Fuller’s recently found in Italy.
Some papers focused on translation, such as Fuller’s translation of Conversations with Goethe, and Adrienne Perry asked us to think about the ethics of Transcendental translation. Other papers focused on periodicals, such as Brigitte Bailey‘s paper on The Dial and print culture; Sonia Di Loreto presented a paper on Fuller’s “A Daughter of Italy” (1848) and transnational intersections in the People’s Journal. In her paper on Emerson and George Sand, MFS President Charlene Avallone urged us all to read more of George Sand’s work. Sarah Wider read a beautiful paper on Caroline Sturgis, who drew for Ellen Tucker Emerson when she was a little girl. David Greenham presented a paper on Emerson’s cognitive topology, looking at his metaphors not as literary devices but as working out ways of thinking. His diagram of light refraction on the eye was very impressive. There really was too much wonderful work than could be captured in a single event recap and do it justice.
At the conference, the Margaret Fuller Society was able to conduct a meeting to discuss current business and spend time getting to know new members and share scholarship.
The Ralph Waldo Emerson Society announces four awards for projects that foster appreciation for Emerson.
*Graduate Student Paper Award*
Provides up to $750 of travel support to present a paper on an Emerson Society panel at the American Literature Association Annual Conference (May 2019) or the Thoreau Society Annual Gathering (July 2019). Submit a 300-word abstract to David Greenham (firstname.lastname@example.org) by January 11, 2019. Abstracts should address the 2019 CFPs posted at emersonsociety.org.
Provides up to $500 to support scholarly work on Emerson. Preference given to junior scholars and graduate students. Submit a confidential letter of recommendation, and a 1-2-page project proposal, including a description of expenses, by April 1, 2019.
*Pedagogy or Community Project Award*
Provides up to $500 to support projects designed to bring Emerson to a non-academic audience. Submit a confidential letter of recommendation, and a 1-2-page project proposal, including a description of expenses, by April 1, 2019.
Provides up to $500 to support costs attending the publication of a scholarly book or article on Emerson and his circle. Submit a confidential letter of recommendation, and a 1-2-page proposal, including an abstract of the forthcoming work and a description of publication expenses, by April 1, 2019.
Send Research, Pedagogy/Community, and Subvention proposals to:
Award recipients must become members of the Society; membership applications are available at http://www.emersonsociety.org.